The 57th International Art Exhibition of
Curator Christine Macel chose the title of the exhibition: "Viva Arte Viva", which, in her own words, "is an exclamation, a passionate outcry for art and the state of the artist". She added that the current edition of La Biennale is "designed with artists, by artists and for artists". Art and life are therefore at the centre-stage of all the pavilions, where art is depicted as a vital source of reflection, resistance and freedom. Political messages are also everywhere, showing how much creativity matters in interpreting our daily lives and the countless challenges of this century.
The many visitors will remember their experience in Venice mostly because of the German pavilion (Germany has won top Golden Lion prizes for the best national pavilion and best artist, thanks to Anne Imhof's bold "Faust" exhibit mixing performance, sculpture and installation), and Damien Hirs's "Treasures from the Wreck of The Unbelievable", a huge display of fake salvaged antiques. Nevertheless, the most iconinc piece is probably Italian artist Lorenzo Quinn's installation called "Support". The monumental sculpture portrays a pair of gigantic hands rising from the water to support the walls of the Ca' Sagredo Hotel, with the aim or representing the impact of climate change and rising sea levels on Venice. Lorenzo Quinn declared that he has sculpted "what is considered the hardest and most technically challenging part of the human body. The hand holds so much power - the power to love, to hate, to create, to destroy".